The National Palace Museum in Taiwan launched the “last of the literati painting – Pu Xinyu painting and calligraphy special exhibition”, pictured in the “Republic of Pu Ru Xishan Cao Tang ancient pine and inscription part”. (provided by the National Palace of Taiwan)
The National Palace Museum in Taiwan presents “The Last Stroke of Literati Painting-Pu Xinyu Calligraphy and Painting Special Exhibition,” which allows visitors to see the richness of the works of the all-round calligrapher and painter Pu Xinyu until December 21, 2021.
Pu Xinyu, a master of Chinese painting, is one of the “Three Artists of the Crossing” together with Zhang Daqian and Huang Junbi. His great-grandfather was Emperor Daoguang, Emperor Xuanzong of the Qing Dynasty, and his grandfather was Prince Gong Yixin, who came from the Manchu royal family of the Qing Dynasty.
Group photo: Taiwan National Palace launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Pu Ru Guan Gong〉. (provided by the National Palace of Taiwan)
Group photo: the National Palace of Taiwan launched the “Pu Xinyu calligraphy and painting special exhibition”
〈Republic of China Pu Ru Zhong Kui〉. (provided by the National Palace of Taiwan)
Taiwan National Palace said that Pu Xinyu had participated in the selection of the emperor after the death of Emperor Guangxu failed. He from the Prince Gong’s rich collection of ancient paintings and calligraphy at home to figure out on their own, integration, regardless of calligraphy, cursive, seal script, clerical style, painting landscape, pavilions, figures, flowers, birds, animals and other subjects, all good at all-round calligrapher and painter.
Group photo: Taiwan National Palace launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Puyu, the foreigners shooting deer〉. (provided by the National Palace of Taiwan)
The National Palace said, Pu Xinyu poetry, calligraphy, painting three mastery of profound education, far-reaching literati style, so that although he did not become the last emperor, but in the history of art left the last stroke of literati painting.
Group photo: the National Palace of Taiwan launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Pu Ru plume beast book cold ape long-standing wood〉. (provided by the National Palace of Taiwan)
Group photo: the National Palace of Taiwan launched the “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Pu Ru Lin mountains and smoke and rain〉. (provided by the National Palace of Taiwan)
Group photo: the National Palace of Taiwan launched the “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Pu Ru enjoying the moon under the pines〉. (provided by the National Palace of Taiwan)
The National Palace said that Pu Xinyu’s teacher, regular script based on the Tang Pei Huo “Guifeng Zen Master Tablet”, painting by the Southern Song Ma Yuan, Xia Gui and the Ming Dynasty Zhejiang School of famous artists, and can integrate the characteristics of all the schools, the development of elegant and elegant, warm and clear style. In addition to being called “Southern Zhang and Northern Pu” together with Zhang Daqian, he had a profound influence on the development of traditional painting and calligraphy in Taiwan after crossing over to Taiwan in 1949, and is known as the “Three Artists across the Sea” together with Huang Junbi and Zhang Daqian.
Group photo: Taiwan National Palace launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Puyu Western travel book Flaming Mountain〉. (provided by the National Palace of Taiwan)
this special exhibition, the National Palace selected the canonical collection and the Han Yu Hall in the custody of cultural relics of fine calligraphy and painting, planning for the “ancient and modern links”, “the Western Mountains and ink”, “Dan Qing Zhi Yi”, “the treasure island”. “treasure island”, “Pu Ru with the seal” five units, while combined with the relevant multimedia film playback, specifically present Pu Xinyu’s artistic characteristics and creative philosophy.
Group photo: the National Palace of Taiwan launched “Pu Xinyu painting and calligraphy special exhibition”
〈Song Ma Yuan, “Moon in the Pine Room. (provided by the National Palace of Taiwan)
Group photo: the National Palace of Taiwan launched “Pu Xinyu painting and calligraphy special exhibition”
〈Yuan Fang Congyi mountain clouds and snow〉. (provided by the National Palace of Taiwan)
The “Ancient and Modern Connections” exhibits five paintings by Pu Xinyu and four antique paintings, including “Enjoying the Moon under the Pines” which is imitated from Ma Yuan’s “Moon in the Pines” in the Southern Song Dynasty, and “Cloud and Mountain Painting” which is derived from Fang Congyi’s “Cloud and Snow in the Mountain” in the late Yuan Dynasty (14th century). Viewing them side by side, we can especially feel the clever link between Puyingyu’s “Lingui” and “Out of the Ancient”.
Group photo: Taiwan National Palace launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Puyu hundred apes〉. (provided by the National Palace of Taiwan)
The National Palace said that Pu Xinyu had lived in seclusion in the early years of the West Mountains, the temple, self-named West Mountains, “West Mountains” unit to show his ape play, children’s interest or landscape trees and other fresh and uncommon superb brushwork, and his calligraphy to the style and performance of calligraphy, but the point between the painting and the elegant, not the slightest weak breath, for the calligraphy to open up a new life.
Group photo: Taiwan National Palace launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Puyu broom life mushroom〉. (provided by the National Palace of Taiwan)
The National Palace said that Pu Xinyu, who spent the second half of his life in Taiwan, painted more subject matter, “Dan Qing Zhi Yi” exhibits works with ghosts, gods and monsters as the main characters, “Ghost Fun”, “Journey to the West Book”, “Taiping Guang Ji Story Book”, “Gods and Monsters Book”, etc., not only witty and interesting, but also profound, but the ink and brush is exceptionally elegant, so that people are new. .
Group photo: Taiwan National Palace launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Puyu spring boudoir back to the poem〉. (provided by the National Palace of Taiwan)
Group photo: the National Palace of Taiwan launched the “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of Pu Ru Fei Bai Shu Feng Shu〉. (provided by the National Palace of Taiwan)
In this special exhibition, “Pao’s Island” exhibits Puyu Xinyu visit to Taiwan’s famous scenic spots left sketching works, the subject matter covers landscapes, people, vegetables and fruits, flowers and animals, such as “Yufeng Snow Scene”, “Fanman shooting deer”, “fish and shrimp book”, “vegetable book”, “Variegated leaf wood Fu”, “sea rock Fu”, etc., are all the masterpieces.
Group photo: Taiwan National Palace launched “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of China Puyu change leaf wood fugue〉. (provided by the National Palace of Taiwan)
Group photo: the National Palace of Taiwan launched the “Pu Xinyu painting and calligraphy special exhibition”
〈Republic of Pu Ru cat and mouse ink play〉. (provided by the National Palace of Taiwan)
The unit of “Puyu’s seal” exhibits seals made by Chen Julai, Wang Zhuangwei, Zeng Shaojie and other famous seal carvers for Puyu Xinyu, reflecting the elegant and traditional aesthetic style, and complementing the superb temperament displayed in Puyu Xinyu’s calligraphy and painting. In addition to the name seal, there are also seals such as “The Old King’s Sun”, “The Supreme Person of Emperor Xi”, “The Little Man of Nothing”, “I can only enjoy myself “, “jade pot” and other casual chapters, reflecting Pu Xinyu in the era of transmigration, ups and downs in his life in the spirit of the world of the hermitage, indifferent to worldly affairs.
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