The true lion version of “The Lion King” has already made $1.3 billion at the box office, making it the world’s number one animated movie, but the word-of-mouth rating of the true lion version of “The Lion King” is much lower than the previous animated version. The new version of The Lion King, whether from the animation or scenes, music, are shocking, some details have also been changed, and strive to more plentiful plot, but why the new version of The Lion King will be a hit but not a good one?
One of the biggest reasons for this is that many of the very important details from the original version have been removed and are in the main plotline, such as Simba’s growth, Simba and Nana’s love, and some of the details before and after Simba’s return, thus making the show no longer as complete and distinct as the animated version.
In the movie The Lion King, although Simba’s path to adulthood is the main focus, the love between Simba and Nana is also an extremely important thread in the story.
Whether it’s the young Nana and Simba going to the elephant graveyard together, or Simba and Nana meeting as adults, it’s the most important point in the movie.
The love between Simba and Nana, in particular, has been changed too much.
First of all, Simba hears about the elephant graveyard from Scar and happily comes to ask Nana to go to the elephant graveyard with him.
Simba sells his adorableness in order to go play early.
The two are under the care (and, in their case, supervision) of Shazoo, and Nana asks Simba where he is going.
The animated version has a line that goes like this
Nana: “Where are we going?”
Simba: “Elephant Cemetery”
Nana: “Wow!”
Simba: “Hush, Shazoo!”
Nana: “So how do we get rid of this idiot?”
Simba: “Look at me!”
And the conversation in the live-action version went like this.
Nana: “Go ahead, where to?”
Simba: “How do you know?”
Nana: “Of course, you hate water.” (Simba lied earlier about going near a waterhole.)
Simba: “I heard about a particularly awesome place.”
Nana: “Tell me about it!”
Simba: “Elephant Cemetery”
Nana: “We shouldn’t go that far.”
Simba: “Don’t worry, we’ve all been there.”
This is the second conversation between Nana and Simba, and it’s already clear that Nana is a very cautious little lion with a very cautious personality, or at least a very obedient little lion.
Shazoo caregivers get bored
When Shazoo tells Simba and Nana that the two of them are going to get married in the future, both the animated and live-action versions are completely unacceptable to the two young lions.
In the animated version
Simba: We can’t get married, Nana is my best friend.
Nana: Yeah, that’s too weird.
Shazoo: It’s not up to you. It’s an ancestral rule.
Simba: If I were king, the first thing I’d do is break that rule.
In the live-action version, it’s weird, because the two of them start hurting each other.
Simba: I’m not going to marry her, she’s so afraid of rhinos.
Nana: He hasn’t even eaten impala.
Simba: I’ve had a small bite (the lion cubs are still nursing =_=!)
After losing Shazoo at the back.
Simba: “I know what you’re thinking, the future king is awesome!”
Nana: “Forget it, you wouldn’t be able to get rid of him without a queen to help you.”
Simba: “There’s one thing you’ve forgotten: I don’t need a queen.”
Nana: “I agree. I would rather marry a ground hog.”
Simba: “Even that boar must be willing to marry you!”
Excuse me, in the animated version you were good friends, but in the live-action version you two became bad friends?
Then the two lion cubs fought, and Simba was pinned to the ground twice by Nana.
At the elephant cemetery Nana’s and the animated version of the changes more, the animated version of Nana at least the first arrival of the elephant cemetery of excitement and anticipation of adventure, but the live version of the little Nana is not at all, her behavior is reluctant to move forward, several times to remind Simba we are far from home, it is time to go back.
From the cemetery entrance to the elephant bones, Simba was excited and curious, Nana was cautious and anxious.
Nana said, “Simba, you have proven yourself to be very brave, let’s go back.
Is this really a compliment to Simba’s bravery? No, Nana just feels very dangerous, but where does Nana’s feeling come from? Aside from a child’s fear of unfamiliar surroundings and intuition about danger, I’m afraid it’s more about her listening to the adult lion and leaving the kingdom of glory with danger everywhere.
I always thought the writer was a fan of hyenas, but what if the live-action version had changed this section to highlight just how powerful the queen hyena is, and Simba was completely crushed?

Live action movie Simba and Nana in elephant burial mounds
In the animated version, Shazoo covers Simba and Nana’s escape and gets caught by hyenas and throws them into a pot, but later Simba and Nana return to save Shazoo.
Nana and Simba escape, Nana slips and is about to fall into the hyena’s mouth when Simba returns and shines a claw in the hyena’s face, bravely saving Nana, which was deleted.

Little Simba Saves Nana
In these two paragraphs, the positive images of Simba, who is naughty but does not abandon his teammates and saves his companions, are cut, leaving only the image of the lion cub who does not listen to the advice and is still trying to be brave even though he can’t beat Nana.
What is most incomprehensible is that when they are saved by Mufasa and taken away from the elephant graveyard, Nana also comes up with the line: “I thought you were so brave!”
In the original animated version, when Simba is scolded by Mufasa and follows his father home dejectedly fearing a lesson, Nana says to him, “I think you’re very brave!”
I should mention here that the part where Mufasa comes to the cemetery to save Simba is so cool, it’s truly my favorite character. It’s so much cooler than the original animated version.
But in the new version, Mufasa comes to Simba and Nana from a distance, roaring and throwing away all the hyenas that are in his way, and after making sure that his son and Nana are safe, he directly confronts the hyena queen, Sanji.
Then Mufasa took Simba and Nana and left proudly in the midst of a large group of hyenas, and not a single hyena dared to move.
Having seen the movie several times, I can’t get enough of this shot. It’s awesome!

Put up an animated version without the live-action screenshot
In this adaptation as a whole, it goes without saying that Mufasa’s strength is greatly improved over the animated version, Iguana’s strength is also improved, and even Nana’s strength is improved over the original animated version, but the only one weakened is Simba.
If Mufasa’s bravery is meant to pave the way for a grown Simba, and the hyena’s strengthening is meant to highlight the difficulty of the restoration, then what is the purpose of Nana’s crushing of Simba?
In particular, when Nana and Simba are reunited, Nana says, “I don’t feel like you’re the Simba I know anymore.
In the animated version, it’s understandable that Simba would be brave enough to save Shajo and Nana at such a young age, but what about in the live-action version? Simba was a wimp as a child?
So the weakening of Simba is an incomprehensible adaptation, and this paragraph does not set the stage for Simba and Nana’s future, since Nana has been disliking him since he was a child.
After rescuing Simba from the elephant graveyard, Mufasa returns to the land of glory and says to Simba, “Simba, I am very disappointed in you, I gave you three orders and you deliberately disobeyed me.
The preceding words in the two versions are pretty much the same, but the live-action version adds this additional phrase.
“You will affect the future of the community!”
The phrase means that Simba is the chosen king and Nana is the chosen queen, and that their two lion cubs are the future of the entire pride.

Mufasa gives Simba lessons
After Mufasa’s death, Scar took the throne and announced that the lions and hyenas would go together, and Nana in the real life version was afraid when she saw the hyenas, and then Sarabj said to her gently, “Nana, stay close to me.
Sarabi is not Nana’s biological mother, but she is the queen of Mufasa, so all the lion cubs in the pride are her children, so it is her responsibility to keep Nana safe.
It’s strange that Nana hides under Sarabee, because usually children hide from their birth mothers, but Nana hides under Sarabee, which means that Sarabee, as the queen, is the strongest among the lionesses, and is more capable of protecting Nana.
I agree with the changes made here to show Sarabj’s courage and commitment, and to pave the way for Sarabj’s rebellion against Scar later on.

Sarah Bee, Lioness Queen
In the animated version, Nana is crying at her birth mother’s feet, and her mother rubs against Nana in sadness. In the animated version, Nana weeps at her birth mother’s feet, and her mother rubs Nana’s head against her in sorrow.
The changes here show the courage of the lionesses and the commitment of Sarabj, who, despite the loss of her husband and son, as the queen of the pride, must first protect the future of the pride, and Nana represents the future of the pride.
Nana, brought up by Sarabj, is indeed courageous and responsible.
As the younger lioness, Nana is more rebellious and is always ready to challenge Scar.
Sarabi could see this and told her she had to be patient and wait for the right moment. But Nana couldn’t help but run away, saying that she was going to get help.
I always wondered, what kind of help did she go to get?
She didn’t know that Simba was still alive at the time, so she fled in search of a more powerful lion? Or do you want to join a more powerful lion pack? Or become the leader of a pack of lionesses yourself?
Anyway, there’s no need to think too much about it, because she’s out there just to find Simba.
And then, and then …… is the adaptation that I’m extremely unhappy with, I feel like this scene that was supposed to be the climax of the play was changed by the writer to complete the plot mission.
Nana is about to eat Pumbaa, and then Simba suddenly comes out to save Pumbaa, and then Nana is again pushed down on the ground and rubbed.

Nana and Simba Reunion
Simba: “Nana?”
(Animated version) Nana quickly gets up and sits down, a little puzzled: “Who are you?”
Simba: “Nana, it’s me, Simba!”
Nana (stunned for two seconds, surprised and surprised): “Wow! Simba!”
Then the two (lions) were amazed and delighted: “Why are you here?”
“I’m so surprised.”
……
Immerse yourself in your best friend’s long-awaited reunion and ignore everyone else.

Excited to be Reunited
Look at the animated version in which Simba and Nana have just met and Nana tells the truth that Simba is the king and Simba decisively denies it, saying I might have been the king once, but not now.
Nana in the animated version: “Can I talk to Simba alone?”
Timon said, “There are no secrets between us and Simba, we can talk about anything face to face.
Then Simba considered and, seemingly shyly, said, “You’d better leave.”
Everyone here would agree that Simba wants to be alone with Nana, which is one of the most obvious criteria between a friend and a lover. Simba saw his childhood friend, and now Nana has grown into a beautiful lioness, and wants to be alone with her.
This is the time when everyone can feel the small beginnings of Simba’s heartbeat.

Simba Nana falls in love
Timon and Pumbaa left, and Simba was happy to turn back and find Nana with a heavy expression and ask, “What’s wrong?”
Nana: “It just feels like you’ve come back from the dead, and you have no idea what it means to everyone, what it means to me.” (emphasis on tone in the latter half of the sentence)
Then Nana went to rub against Simba: “I really missed you.”
Simba rubbed back: “I missed you, too.”
Off screen I could feel the tremendous joy of their meeting.
And in the live-action version.
Nana recognized Simba on the spot and said, “What are you doing here? We thought you were dead.” ?
? Is this how you meet and exchange pleasantries?
Instead, Simba was excited: “What are you doing here?” Then he introduces Timon and Pumbaa, “This is my best friend Nana.”
Nana isn’t really interested in these two friends and just says that Simba is the king, which Simba doesn’t recognize.
Then Simba retains Nana, “Stay!”
Nana said, “No, I can’t.”
Simba had to say, “At least let me show you around the place!” Then Simba ignores his two best friends and runs off with Nana.
It feels like a complete diversion here to avoid further awkwardness =_= !!!!
As the two of them ran, they started playing the song “Can you feel the love tonight”.

Expressions are not enough for atmosphere in the live-action version
I had a blank look on my face the whole time, how did you two lions get the call ???? Who is interested in whom?
When the song is played, the live-action version probably has the strongest hint of love between the two of them, with Nana gazing at Simba, stroking Simba’s mane, then licking Simba’s face, and the two of them climbing to the top of the mountain to snuggle. It feels like the transformation from friendship to love after Simba and Nana’s reunion is very raw, and the limitations of the live-action version’s facial expressions make what is supposed to be the climax of the game less tasteless.

Real-life chase
This has to be the animated version, where Simba and Nana are fully after, as sung in the song, Nana doesn’t understand why Simba doesn’t want to go back to being king, and Simba is worried that Nana will hate him if she finds out that he killed her father Mufasa. The two drink water and stare at each other, and the scene is a bit awkward.

Simba and Nana versus
Then Simba came running and suddenly jumped into the pool, Nana was very worried and looked at the water to look for him.
The two of them are playing and tumbling down the slope together.
The expressions in the animated version are really good, but in the live-action version, it’s also possible not to be so stiff, and the expressions can’t be used, but it’s okay to play around and add some drama, and it’s okay to design the dialogues well.
After finishing “Can you feel the love tonight”, the two versions of the story reached a point where Nana and Simba disagreed on whether or not they would become king.

Simba Refuses to Return to the Kingdom of Glory
Read Nana’s answer on both pages
Animated version: Nana: Because it’s your responsibility.
Simba: What about you? You came out too.
Nana: I came out to get help, and I found you. Simba, you are our only hope.
Simba: No, I can’t go back.
Nana: Why not? You don’t seem like the Simba I knew.
Simba: Yes, I’m not the same person I was a long time ago, are you satisfied now?
Nana: No, just disappointed.
Simba: You sound just like my dad.
Nana: Good, at least one of us still looks like him.
Simba: Listen, you think you can just show up out of nowhere and tell me what to do with my life? You have no idea what I’ve been through.
Nana: If you’d like to tell me, I’d like to know what you’ve been through, too.
Simba: Forget it.
Nana: Okay then.
Then Simba and Nana split up.
In the live-action version, the preceding dialogue is similar, but when Simba gets angry and says, you have no idea what I’ve been through. What did Nana do?
Nana: I came out here looking for help, but now I think I may have made a mistake, goodbye Simba!
Then she walked away, walked away from …… walked away from …… walked away from …… …… walked away from ……
Nana is not at all interested in what Simba has been through, she is only interested in whether Simba is willing to go back to be king and to save the Kingdom of Glory.
In the animated version, although Nana and Simba have a fight, Nana still goes to Timon the next day and asks where Simba is.
The changes here make me think that there is no love between Nana and Simba in the live-action version.
I’m not saying that Nana has to stay for love, but the changes here don’t make sense to me in any way.
If Nana is so capable, why doesn’t she just challenge Scar? So she’s out to find a lion to challenge?
As such, even if she doesn’t like Simba, Simba is a lion and the rightful heir to the throne of the Kingdom of Glory, and Simba’s best option is to challenge Scar to regain the throne.
So, even if Nana doesn’t like Simba, shouldn’t she get to know him a little better and persuade him for a few more days for the sake of the Kingdom of Glory that she loves? Is it that urgent to go back? Either that or they can’t handle eating bugs.
The animated version is obviously more plausible, as the first night after Nana’s fight with Simba, presumably a night of calm, Nana goes to look for Simba but can’t find him, so she goes to his friends Timon and Pumbaa to ask where Simba is.
This at least suggests that Nana didn’t give up on Simba, or if you think about it a bit more, Nana might have listened to Simba’s line, “You have no idea what I’ve been through?” She decided to get to know Simba first, but if she couldn’t find him, she could at least learn something about him from his friends.
When Scar said Simba was dead, Simba was lucky to have escaped and survived, he did not lose his memory.
If Simba doesn’t go back after all the efforts Nana has made, Nana can still go back by herself even if she can’t accept it, so why should Simba say no and Nana runs away?
Some people call this feminism, but I think this is too narrow-minded. Even if Nana is the queen today and comes to Simba to be her vassal, and Simba is unwilling, what would Nana do if Simba is really important to the Kingdom of Glory? The ancient Chinese Liu Bei has set a good example.
Simba in the real version didn’t disappoint me, but Nana did.
Maybe she started to want to come out and ask for help, and when she found Simba, who was the most qualified to be king, wouldn’t help her, she felt she was wrong and decided to go back and challenge Scar herself.
In the spirit of rebellion, Nana is indeed courageous, but as a friend, not even a lover, Nana seems less than qualified.
There were some changes to Mufasa’s guidance and Rafiki’s persuasion as to why Simba returned to the Kingdom of Glory.
In the animated version, Rafiki says to Simba, “Are you saying I’m confused? Do you even know who you are?”
Simba was annoyed: “Oh, speak as if you know.”
Rafiki: “Of course, you’re Mufasa’s son!”
Then he ran away when Simba was surprised, and when Simba regained consciousness and went after him, he was taken to the water’s edge to look at his reflection.
Rafiki takes Simba to the water’s edge
The surprise and chase in the live-action version is gone, and Simba is not surprised to hear Rafiki say Mufasa’s name, but asks, confused, “Did you know my father?”
This effect is not as good as the animated version at all.
The death of his father, Mufasa, is Simba’s biggest problem, and the crux of his reluctance to face his true identity. Hearing someone speak his father’s name so calmly, far from the Kingdom of Glory, is just not paved for, and Simba’s sudden decision to go back in the live-action movie feels stiff.
Although Mufasa’s lines are better than the animated version, in which Mufasa simply says, “Remember who you are, you are my son, the only true king.

The Spirit of Mufasa Guides Simba
But in the live-action version, Mufasa’s line is changed to, “Simba, the thing I’m most proud of as king is having you as my son.”
Simba says, “That’s all in the past.”
Mufasa: “No, I’ve always been proud of you.”
And then Simba suddenly decides to go back.
This is a nice change of line, Simba’s inner mental activity is that I made such a big mistake, my father died because he saved me, I always thought he was disappointed in me, but he was so proud of me, then I can’t let him down.
Here it makes sense in Simba’s line of thought.
But the later scene in which LaForge hits Simba to persuade him to let go of the past was cut, which was unwise.
In the animated version, Simba looks away from his father and says to Rafiki, “I know what I have to do, but that means I’ll have to face my past, and I’ve been running from it for so long.”
And then Rafiki hit him with a bat.
Simba: “Uh oh, …… why are you hitting me?”
Rafiki: “It’s okay, it’s over anyway.”
Simba rubs his head: “Yes, but it still hurts.”
Rafiki: “You can choose to run from the past, or you can choose to learn from the past.”

So Simba stopped hesitating and returned to the Kingdom of Glory.
This means that from now on, he will end his days of waiting for death in the paradise and become a real Lion King.
But on the whole, the live-action version of The Lion King, from Nana’s appearance to Simba’s return, cuts out too much of the original version’s content that reflects the journey of Simba’s heart, making the most important part of the story stiff and uninteresting.
The real lion version of The Lion King added 29 minutes, but all the ink was not added to the main character Simba, but mostly to Scar, Hyena, Sarabj, Mufasa, and even the dung beetle, and it is seriously doubtful that our Simba actor has offended the director.
There was also a plot change that I found very unsatisfactory. After Simba’s return to the Kingdom of Glory, Timon Pumbaa arrives to help out.

Timon Pumbaa rushes to help Simba
Then they see the hyena in the way and Timon asks Simba, “How do you get around the drooling guys, do you have a good plan?”
Simba: “Live bait.”
The treatment in the animated version is.
Timon: “Good idea,” suddenly realizes something’s wrong and moves toward Simba with discontent, “Hey …….”
Simba: “Please, Timon, you have to find a way to distract those hyenas!”
Timon: “How do you distract it? Hula dancing?”
Then there’s Timon’s classic hula dance.

Timon Pumbaa Hula Dance
Such a series of dialogues would give the impression that they are working together in a way that is not very silent, and with the subsequent hilarity it would be easy to bring attention to them.
But that’s how it’s handled in the live-action version.
When Simba says, “Live bait.”
Then Simba, Nana, and Timon all look at Pumbaa.
Pumbaa (guilty): “Good idea, they’ve been hungry long enough to see fresh meat and will definitely jump on it, as long as the bait is big enough and fat and tasty, how about an antelope?”
The three of them continued to look at Pang Pang with blank expressions.
Pang Pang felt even more guilty: “Why are they all looking at me?”
Then it was Timon and Pumbaa who timidly went to distract the hyena.

I don’t know how anyone else feels watching this, but I just think Simba is very cold-blooded. Maybe the king’s blood has been revived in him, but as soon as he steps into the kingdom of glory, he first pushes out his friend who saved his life and grew up with him to be bait for the hyenas.
There is only one less round of dialogue, but the characterization of the characters is completely different.
In the animated version of the dialogue between Timon and Simba, at least the tone is relaxed, and one gets the impression that Simba is sure of what he is doing, after all he knows Timon and Pumbaa so well.
But in the live-action version, there are no words, no dialogue, just silence, and from Pang Pang’s point of view, you feel a kind of pressure of the eyes, forced to do this thing, which the director may think it’s funny, but I just find it cold-blooded.
Throughout the film, Pang Pang has always been the image of loyalty and generosity, and everyone has an innate sense of justice to protect their generous friends from bullying (even a little mongoose like Timon would protect Pang Pang at all times).
When Simba is reunited with Scar, the part where Sarabj and Scar mistake him for Mufasa is also subtracted, and he just gives his name on the rock.
This, too, is a defeat.
In the animated version, Scar beats Sarabee and Simba roars in anger on the rock.
Scar was scared that Mufasa wasn’t dead, but Simba didn’t explain and ran down and rubbed Sarabhi’s face.
Simba: “No, it’s me.”
Sarabj is surprised and delighted: “Simba, how can it be you?”
Simba: “Yes, Mom, I’m home.”
What is the purpose of this paragraph? It was Simba who was guided by his father to return to the kingdom of glory, and because of the change in his thinking, the king’s blood began to revive in him, so when he arrived at the kingdom of glory and saw Scar hurting his mother, he became even more angry.
But when it’s cut, it’s a straightforward and uninteresting narrative.
The live-action version of The Lion King did well at the box office, but there’s no injustice in the fact that it was a hit. I can see that the production team has worked hard to refine some of the plot, as well as make some of the content more rational.
The rivalry between the hyena and the lion, Scar forcing Sarabj to become queen, Simba being forced by Scar to almost fall off a cliff, Scar thinking he would win, telling Simba that he killed Mufasa, Simba not just jumping him, but biting Scar’s face and forcing Scar to drag him up, etc. These changes made the plot more logical.
Kids who grew up watching the animated version of The Lion King 25 years ago are now adults again, and the focus on minor changes removes many of the main threads of the story, making it less fluid, not to mention the fact that the live-action version will definitely be compared to the animated version, which was a huge hit.
Although I still love the film, and I’ve seen it five times in theaters, I still regret the crude cuts that turned a great story into a rush.
Twenty-five years later, The Lion King is unbelievably well animated, with some surprises and some regrets. Every time I go to see it in the theater, I like the feeling of being immersed in the 3D movie, which is something the animated version couldn’t do. So I still think the remake of The Lion King is a success, and perhaps the imperfection is eternal.
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