Many of the country’s pseudo-feminists often call for more power to be given to women. This power, however, is not power in the sense of fairness and equality, as we understand it, but rather a tendency to enjoy more and give less.
Many so-called feminist fighters always talk about the objectification of women by men, but the pseudo-feminist fighters are silent on the matter of deeper character building. They are only good at calling for a female awakening and using it to suppress the status of men in the country, but by awakening they mean only material abundance. When confronted with the real power of women, however, these men are often silent.
As a result, this so-called call for the awakening of the country’s women ends up in the consumption of all kinds of women. In essence, these women’s rights fighters who are waving the flag are in fact vassals of the capital behind the scenes. Because they simply don’t understand what it means to be a truly independent woman, or they simply don’t want more people to know what it means to be a truly independent woman.
That’s why we see movies and TV shows under the guise of being independent women and ultimately pointing to consumerism as the end game. This is not true feminism, because they don’t evoke anything, not even an ordinary central core.
In contrast, Indians are doing well in this area, and of course, the composition of Indian society dictates that giving more respect to women is a challenge that goes a long way. But at least in terms of advocacy, such movies and TV shows are common. Let’s take for example the Indian film “Slapped”, which I would like to introduce to you today.
In this film, the woman, through a slap in the face from her husband, finally sees the nature of the marriage she was trying to maintain.
In the end, the woman chooses to end the marriage and start her own life again. This is a very special film about women’s awakening, and the themes presented in this film are very relevant to the current state of Indian women’s society. At least in terms of recognizing the facts, this film is a quantum leap ahead of the so-called feminist films and TV shows in China.
In the past, we have seen in many Chinese films and TV shows the underlying reasons for the low status of women in society, which is due to their low economic status. How do domestic films and TV productions change this situation?
While divorced women can have the power to choose their future, the joke is that when the time comes to choose, it really is a joke. The woman chooses to struggle, yet the nature of the struggle is really done after being given help by the new man around her. This is a bit of a change of pace.
Women’s independence comes from financial independence, and financial independence comes from being able to rely on oneself without distractions. However, many Chinese movies and TV dramas are made under the guise of women’s independence, and this economic independence is still based on male support. As a result, what is not considered a female work is, at best, a tiger’s painting.
From this point of view, it is interesting to see how this film and television work illustrates women’s independence. Although there is no clearer ending as to what happens to women after divorce. However, the mere fact that they have the courage to get a divorce puts them a few steps ahead of many so-called feminists.
At least the women in the film have recognized what they should be pursuing and what they should be advocating for. A marriage can’t be made to last by settling for anything less. This is a slap in the face to the woman in the film, and to many others around her.
On the other hand, this film is not only to highlight women’s legal equal rights, but also to give a warning to men and women in love or in marriage. What is love and what is marriage? Marriage and love are essentially the same.
At their core, they are both about loving each other, not just submitting to a paper certificate. Men and women in love need to be true to themselves and not repress their true feelings. And men and women in marriage also need honesty and respect. If there is no respect, if there is no authenticity, if there is only stoicism, then the relationship between two people will become more and more fragile, and eventually, it will end in failure.
What two people in love need is respect and understanding, and two people in marriage also need understanding and respect. Understanding each other’s sacrifices and respecting each other’s individuality is the fundamental way to eliminate gender differences. This is the fundamental way to eliminate gender differences. In this regard, this film is miles ahead of the so-called independent women’s films.
This requires a reciprocal relationship between men who respect women’s ability to survive on their own and women who are not economically dependent on men and who can choose a new way of life to define themselves.
Pseudo-feminists in China, on the other hand, like to use economic prosperity as a cover for their inner vulnerability. Ultimately, this kind of feminism will end up in consumerism. At least in the early years of our country’s history, our country was positive about women’s social status, and women were not at a distinct gender disadvantage in competition with men.
At that time, women had no obvious gender disadvantage in competing with men, and many model female workers were born. This was the real women’s rights, but unfortunately, when women began to be attacked by consumerism, such images were never seen again.
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