After Oregon issued its mathematics Education guidelines, calling for the elimination of mathematical racism, the Dutch side also pointed out strictly: a deck of playing cards in which the King K, Queen Q, Prince J, three Poker Face, all white men and women, is guilty of racism and should be reformed.
But the yellow Chinese, from the Princess Deling returned from studying in the West to teach the Empress Dowager Cixi to play poker, are accustomed to the three white male and female faces of KQJ. If you follow the orders of the left gum, this three doll replaced by an African chief, chief’s wife, chief’s son three black faces; or Zhu Yuanzhang, Queen Ma, Ming Hui Di (that is, later in the Nanjing fire is rumored to have disappeared to flee overseas so there is Zheng He with a fleet of ships to the West that) to replace, in order to show that China is strong after leading the community of human gambling Destiny, Chinese gamblers are afraid that it is difficult to adapt to psychological. A distraction lost money, that a few colored figurines ruthlessly to the ground a drop, a throw that mom, have to have Lai.
In addition to math and poker, the white left also complains: classical Music is also a disaster area for white supremacy. Bach, Mozart, Beethoven and Tchaikovsky are all white, and the conductors and musicians of the Philadelphia Boston and London Symphony Orchestras are also white dominated, with occasional quotas given to three Asian faces and white hegemony over all musical instruments.
The audience of classical music is enchanted and weeping, and of course, they are also racist. Don’t believe me? When Albert Wong, our recently deceased music critic in Hong Kong, listened to Bach’s Goldberg Variations in London’s Albert Hall until the tenth variation was finished, the conductor suddenly announced: “With great love for tolerance, we now invite three African Namibian dancers to the stage to add a section of African drums, and Albert Wong’s fans and close friends in Hong Kong, including me, were convinced that he would be the first to rant and rave in the audience. The audience would be the first to rant and rave.
But China’s Lang Lang was far-sighted enough to invite his father to perform an erhu and piano concerto in a Western classical music hall years ago, dressed in a Zhongshan suit. The white audience, even if they cursed in their hearts, clapped harder for fear of becoming racist if the applause was a little sparse when Lang Lang and his son gave a half-bow with Wu Jing-like menace.
In this respect, Lang Lang gave us a perfect score. In recent years the British music critics have begun to turn negative towards this young hero, whether this is related to the offense of his father carrying the erhu on stage is not known.
As for Liu Shikun’s “Yellow River Concerto”, a Chinese national epic performed with Western instruments including piano and gongs, the Yellow and White teamed up and racially discriminated, but without the African brothers. In the future, how to add a section of the Belt and Road African forest percussion, love the diversity of the Yellow River rushing to the Indian Ocean to the world, and make the children of the Yellow River listen, seamlessly have been teary-eyed and can not hold back the whole audience burst out laughing, we have to push the efforts of our musicians after the wave before it.
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