Ten poems with characteristics of New Year’s Eve, and readers can experience the ancient New Year’s Eve together with the old and the new.
The first one: Wang Anshi’s “New Year’s Day”. Wang Anshi’s “New Year’s Day” is one of the most influential and well-known poems about the New Year in ancient China. and “The new peaches are always replaced by the old symbols”, can be said to be the classic description of the New Year scene, until Today, although the flavor and customs of the New Year vary from place to place and are always changing, the custom of setting off firecrackers and putting up spring scrolls seems to have remained unchanged.
The sound of firecrackers is the first Time the year is over, and the spring breeze sends warmth into the tussel.
It is always a new peach for an old charm.
The second song: “Keeping the New Year” by Li Shimin. As one of the most famous emperors in ancient China, and one of the most famous dynasties in Chinese history, Li Shimin created the heyday of “The Reign of Zhenguan”. Of course, his depiction of the New Year is very different from that of the common people, but he represents the highest ruler of ancient China’s depiction of the New Year, which is of course very unique and shows us how the ancient imperial palace celebrated the Chinese New Year, which was indeed grand and luxurious.
The twilight scene slants the Hall of Fragrance, and the New Year is magnificent in the Palace of Cherry.
The winter snow is gone, and the warmth is brought into the spring breeze.
The plum blossoms are softened and the candles are rolled in red.
The new and old years are celebrated together, and they are welcomed and sent off in one night.
The third song: “New Year’s Eve” by Bai Juyi. As one of the three great poets of the Tang Dynasty, Bai Juyi wrote many poems about New Year’s Eve. His poems about New Year’s Eve mostly lament the rush of the years, and after reading them, people lament the relentlessness of the years and the brevity of Life, which makes people sad. This is also the reason why people who are older are afraid of New Year’s Eve, as it makes them a year older.
The sick eyes do not sleep much, and the old heart feels a lot about spring.
After the fires and lights are over and the sky is clear, there will be 60 people in the same head.
The fourth song: “New Year’s Eve” by Wen Tianxiang. Wen Tianxiang was a great national hero of Nanning and a famous literary master in ancient China. His poems are righteous and heroic, and his patriotic and death-defying spirit is clearly shown on the paper, which is admired by future generations. However, in 1281 AD, this time the Southern Song Dynasty had reached its last hurdle, as the last Great Wall of the Southern Song Dynasty, on the last New Year’s Eve of his life, instead, he was extremely calm and uneventful, only wanting to spend a peaceful Spring Festival with his Family, of course, from his poems we can still read a trace of loneliness, pathos and desolation.
The world is empty, the years have gone to the hall.
The end of the road is frightened by wind and rain, the poor side is full of snow and frost.
His life is about to end with his years, and his body is forgotten with the world.
There is no more dream of Tu Su, and the night is not yet over.
The fifth song: Gao Shi’s “New Year’s Eve Composition”. Gao Shi was a famous border poet in the Tang Dynasty. He served in the border area for many years and was often away from Home, so it was rare for him to reunite with his family, which included the New Year. Gao Shi’s poem “New Year’s Eve Composition” shows a wanderer’s longing for his family during New Year’s Eve, which is the same as those wanderers’ state of mind nowadays, and it is very touching and easy to resonate.
The cold lamp in the hotel does not sleep alone, why does the guest’s heart turn sad?
The hometown is a thousand miles away tonight, and the frosty temples will be there for another year tomorrow.
This is a poem about living in a foreign country and thinking of one’s hometown on New Year’s Eve. It expresses the scene of New Year’s Eve and the loneliness of one’s hometown, and the smell of New Year’s Eve always lingers in one’s heart.
The five o’clock clock leaks, and the four airs push back and forth.
The remaining lamp in the tent has just gone to flame, and the fragrance in the oven has been turned into ashes.
Gradually, I see that spring is forcing the hibiscus pillow, and I feel that the cold is selling the bamboo leaf cup.
I think that I have not slept at home during the New Year’s Eve.
The seventh song: “New Year’s Eve” by Su Shi. In November 1073, Su Shi was ordered to go to Changzhou and Runzhou (now Zhenjiang, Jiangsu) for disaster relief. On the night of New Year’s Eve, he did not want to disturb the local officials and people, so he spent New Year’s Eve alone in a boat by the river and wrote this poem, which depicts the miserable scene of the local people because of the disaster and makes people sigh.
The poem is a poem about the hardships of the local people due to the disaster.
The sick eyes do not sleep to observe the New Year, and the native voices do not accompany the bitter thoughts of returning.
I know that the frost is heavy when my feet are cold, and I feel that my hair is thin when my head is light.
Thank you for not minding the guest with the remaining lamp.
The eighth song: “New Year’s Composition” by Liu Changqing. The poet was relegated to the South China Sea. He was in a foreign country and it was the New Year. The poet’s feeling of deportation aside, it may resonate with those who are now outside and cannot go home to their families.
The poet’s heart is filled with the new year, and he is weeping alone by the sky.
The old man is living under the people, the spring return is before the guest.
The ape in the mountain is the same at dawn and dusk, and the willow in the river shares the wind and smoke.
It is already like Changsha Fu, and there are several more years from now.
The ninth poem: “A Female Taoist Priest Receives a Talisman on the Day of the First Moon” by Jia Island. This is an ancient poem describing the scene of female Taoist priests on New Year’s Day. The “sound of chime” and “shadow” are really sighing.
On the night of the New Year’s Day, I fasted my body and said I was dressed in pure clothes.
The stars are coming out in a row, and the clouds are flying.
The sound of the chime was there under the frost, and the shadow of the altar was faint under the high moon.
I listened to the words of the teacher and returned with the talisman tied to my left elbow.
The tenth song: “Sitting together with my wife at night to observe the New Year” by Xu Junqian. This is a song describing a couple sitting together to observe the New Year’s Eve, with wine being poured and love words lasting until dawn.
The joy is not yet extreme.
They are happy with peaches in the wine, and they are looking for plums in the palm.
The curtain is open, the wind is in the tent, and the candle is out of charcoal.
I don’t doubt that the hairpins are heavy, waiting for the dawn to break.
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